Thursday, October 29, 2015

Homework: Due Monday 11/2



HOMEWORK: Read the first eight chapters (to pg 77). Create ten LC* questions and choose one to answer in a well-developed paragraph. Everything we learned in MP1 should be on display: specific evidence leading to specific conclusions, 1:1 rule, no unnecessary words, etc.

*LC Questions are questions a literary critic asks.  Their purpose is to think about how and why the author created the work.  They are different from the questions a curious reader asks.  A curious reader's purpose is to understand what is happening in the story.

For example, a curious reader asks:  What is the setting?  What is Jane like as a person?  A literary critic asks: Why did Bronte choose to begin the story in a claustrophobic, spooky red room and how does that choice shape Jane as a character?

Sunday, September 20, 2015

2015-16 Syllabus

2015-16 AP Literature and Composition Syllabus  (<--click for version in Word)                    

Instructor: Ms. Dame

Course Overview

Every author we will read has tried to explain or depict some aspect of this beautiful, absurd state of being in which we find ourselves.  The books we read in this class each address a big question: What does it mean to become your self?  Is there a difference between our natural and our fully-realized self?  How do our experiences propel us toward or disable us from becoming our selves?  What is the relationship between our selves and the world we are dropped into by the circumstance?  Literature, as I hope you will see, is the perfect prism for looking at these questions.  Great literature is a conversation about the mystery of human existence. 

In this course, you will be expected to join that conversation.   To do so, you need to learn to do two things better than you have ever done them:  read and write. 

Of course, an equally important objective is to prepare you for the AP Literature and Composition Exam.  But, luckily, our objectives are entwined.  By practicing the type of close reading and trenchant analysis required of the exam, you will necessarily also develop college-level reading and writing skills, and immerse yourself in the topics of our great books. 

Assignments

Each marking period, you will be expected to complete short, well-developed summaries on a regular basis in class, write two in-class essays, and take several multiple-choice and vocabulary quizzes.  In addition, you need to keep up with the reading. 

I often post helpful information on the course blog, lincolnaplit.blogspot.com. 

Grading

Classwork       60%
Includes:  Do Nows, in-class reading responses, multiple-choice assignments

Homework      10%
Includes:  well-developed paragraph responses to prompts on the reading, vocabulary assignments, other forms of reading responses

Projects, Essays and Quizzes 30%

Includes:  multiple-choice exams, essays, reading quizzes, multi-day class projects

Friday, April 24, 2015

Thursday, April 16, 2015

Homework on Ghosts - Due Friday, April 17



Read these two articles and come to class prepared with three questions about the play for our guest.

The Story

Some Context

Tuesday, April 14, 2015

Summary from 4/13

What is significant about the structure of Chapter 13? How does it connect to the structure of the book? Make a specific claim and defend it with specific evidence.

Wednesday, April 8, 2015

Compilation of Vocabulary Words

Here it is - all your vocabulary words for the year so far!  It is a bit overwhelming in this form, but remember we have been studying these words all year.  Hopefully, you'll find you already know many of the words.

You do not need EXACT definitions.  You do need to be able to use the words correctly in context and explain how they are being used in a passage.

AP Literature Master Vocabulary List - as of 4/8/15

Thursday, April 2, 2015

Homework for April Break


 
1. Study ALL vocabulary.  I mean all of it!  Use online websites to create your own flashcards, or practice applying words to the boosk we have read.  Who is the most malicious character?  Which character has the most right to be indignant?  Etc.

2. Read these chapters in Invisible Man:  13, 16, 17, 20, 21, 23-end.  If you read the whole book, we'll have a pizza party Book Club when you get back!

Questions for 3/31 Read20


Read Chapter 12 in How to Read Literature Like a Professor by Thomas Foster
Key Details
What are two or three ways Foster says we might understand the cave?
According to Foster, what is the reader’s role in understanding symbols? 

Vocabulary
After reading this chapter, how would you define allegory?  symbol?

Connections and Inferences
Foster says that actions can also be symbolic.  What might be a symbolic action from Invisible Man?

 Point and Purpose
What are multiple was one could interpret the symbol you chose?  How does thinking about this aspect of the story symbolically impact our understanding of the story?  Be specific.

Wednesday, March 25, 2015

Homework - Due 3/26

AIM:  How does Invisible Man begin to change in NYC and why?


Read pages 190-195.  Record two specific ways in which IM is changing.  For each statement, include some "before" evidence and some "after" evidence.

Then, write a well-developed paragraph answering this prompt: "What about IM's attitude in the Prologue begins to make more sense now that you've heard about some of his experiences?"

ALSO...remember to read Chapters 10 and 11 and study both IM Vocab Lists for Friday.

Monday, March 23, 2015

Homework from Monday's Class (3/23)

Answer the AIM in a well-developed paragraph:

What is Ellison saying about the expectations for ambitious young black people in this time?

I apologize, but I left your claims on my computer at school.  If anyone has the claim from their group, please post it in the comments!  I liked where you were headed!

Friday, February 13, 2015

February Break Homework

When we return, we will be starting our Modern Poetry unit.  For homework, read these two essays.  For each essay, write a half-page response that answers the following questions:

What literary elements does the author use to analyze the poem?  Which of these seem new or unique to modern poetry?  Explain.

http://www.poetryfoundation.org/learning/guide/248396

Choose three sentences you admire from each essay.  Copy them down and underline the evidence and circle the analysis.  What types of language and sentence structures are these authors combining evidence and analysis?

Then, write your own essay on the poem "Facing It."  How does the poet use literary elements to describe his experience of visiting the monument?

Tuesday, February 10, 2015

Read20 Questions - 2/10/15

Key Details
1.     Let’s start with the obvious: what is a sonnet and how do you know you’re looking at one?
2.     According to Foster, what are some advantages and disadvantages of this form? (List at least four total).
Vocabulary
1.      Rossetti uses an allusion.  Define allusion and explain how Rossetti uses it.
2.     What’s some important poetry vocabulary used here?  Choose two words and note the definitions.
Connections and Inferences
1.      Read Foster’s analysis of Rossetti’s poem carefully.  What are three literary elements that are explicitly or implicitly used in his analysis?  Explain.  
Point and Purpose  
1.      What questions about poetry did you think of while reading this chapter? (List at least one).

Friday, February 6, 2015

HW Essay - Due Monday, Feb 9


Sometimes the ending of a novel or play changes our understanding of the entire story.  Write an analytical essay in which you explain how the final scene in Hamlet either extends or somehow challenges a major theme from the story so far.  Include a complex claim and use a variety or evidence and literary elements to develop your analysis.

Friday, January 23, 2015

Homework for Regents Week

1.  Watch the following movie and write a one-page response.  What did it make you think about that you hadn't considered before?

http://www.pbs.org/wnet/shakespeare-uncovered/video/hamlet-with-david-tennant/

2.  Study all the vocabulary from the beginning of the year.  You will have a cumulative vocabulary exam the first week of Marking Period 4.  All the Vocabulary Lists are available on the blog.  Check the 9/14/14 post.

3.  Go to the library, or use a library webpage, to find a critical essay about Hamlet.  Design a Read 20 for the class to do.  Bring in a copy of the article, and your questions.

After you read the article, decide on what main idea(s) you want students to understand.  Then, design two Key Detail questions, one Vocabulary question, one Connections and Inferences question, and one Point and Purpose question.  Below are the purposes of each category.

Key Detail - Focus the reader's attention on some important details that will help them start to piece together the main idea. 

Vocabulary - Ask the student to DO something with a word that will help them learn the word, and learn how to use it.  Do not merely ask them to define it.

Connections and Inferences - What connections does the reader have to make between different sections of the text?  What patterns are important to see?  Design some questions that will help the reader start to discern these connections or patterns.

Point and Purpose - Ask the reader to use the information they have gathered to explain at least one of the author's main purposes in writing the article.